cover, preferably inside and back without the white frames around some of the B/W ones, and with most of them next/side to each other in different sizes and mixing the color prints at different points, for instance (rough sketch of L.P. Here are the pictures we would like for you to use anywhere on the L.P. We dedicate this album to acoustic and electric woman and man alike, and to the girl at or from or with the button store, and Arizona, and Bil of some English town in England, and well, EVERYBODY. Jimi Hendrix's original handwritten notes for the album: Gary Kellgren (Engineer), Eddie Kramer (Engineer), Bob Dylan (Robert Allen Zimmerman) (Songwriter), Jimi Hendrix (Songwriter), Jimi Hendrix (Songwriter), Earl King (Johnson) (Songwriter), Noel Redding (Songwriter), Noel Redding (Songwriter), Jimi Hendrix (Directed By), Jimi Hendrix (Directed By), Chas (Bryan James) Chandler (Produced By), Jimi Hendrix (Produced By), Jimi Hendrix (Produced By), Vartan (Reissue Art Direction), Michael Diehl (Reissue Design), Jimi Hendrix (Arranged By), Jimi Hendrix (Arranged By), Eddie Kramer (Remastered By), George Marino/Morino (Remastered By), Derek Taylor (Essay), Chas (Bryan James) Chandler (Additional Production), Linda (Louise) Eastman (McCartney) (B&W (US Vinyl Inner Gatefold) Photos), Linda (Louise) Eastman (McCartney) (CD Booklet Back Cover Photo), Karl Ferris (US Back Cover Photo), David King (UK Vinyl Issue Design), Rob O'Connor (UK Vinyl Issue Design), Ed Thrasher (Original Packaging Art Direction), David Sygall (Liner Photography In Part By), Janie Hendrix (Remastering Supervision By), John McDermott (Remastering Supervision By), Jeff Leve (Hendrix Writings) Brian Jones had played piano on this track but his part was mixed down/out in the final mix.Įstelle Brown, Estelle Brown, Jack Casady, Larry Faucette, Mike Finnigan, Cissy Houston (Emily Drinkard), Cissy Houston (Emily Drinkard), Al Kooper, Dave Mason, Buddy Miles, Sylvia Shemwell, Sylvia Shemwell, Freddie Lee Smith, Myrna Smith/Smith-Schilling, Myrna Smith/Smith-Schilling, Steve Winwood, Chris Wood Gently Gently Awayĭate Performance: 1968, Running Time: 1:01ĭate Performance: 1968, Running Time: 4:25ĭate Performance: 1968, Running Time: 4:33ĭate Performance: 1968, Running Time: 4:00Ĭomments: Recorded Januat Olympic Studios, London & May 1968 at the Record Plant, 321 W. 44th St., New York City.ĭate Performance: 1968, Running Time: 3:27ĭate Performance: 1968, Running Time: 4:09ĭate Performance: 1968, Running Time: 3:43Ĭomments: Recorded at Mayfair Studios, London.ĭate Performance: 1968, Running Time: 3:42ĭate Performance: 1968, Running Time: 13:39 Have You Ever Been (To Electric Ladyland)ĭate Performance: 1968, Running Time: 2:11Ĭomments: Recorded at Olympic Studios, London.Ĭomments: Recorded April 20, 21 & 24, 1968 at the Record Plant, 321 W. Jimi Hendrix, Mitch Mitchell, Noel Reddingĭate Performance: 1968, Running Time: 1:21Ĭomments: Recorded at the Record Plant, 321 W. It is undeniably one of the greatest “heavy” albums of all time and one of the few albums you must listen to, no matter what you’re into.- Advanced Search | Latest Updates | 30 Most ViewedĮlectric Ladyland (1968) - The Jimi Hendrix Experience This album has come to be a key influence for any and all heavy music that followed it and helped to prove that Jimi Hendrix, while an amazing songwriter and guitarist (even better than Clapton), was simply a genius. However, this track can easily be confused with another track by The Jimi Hendrix Experience named ‘Voodoo Chile’, also featured on Electric Ladyland, which was a fifteen minute long jam and became the basis for the classic ‘Voodoo Child’. The album also features covers of both Bob Dylan’s ‘All Along the Watchtower’ and Earl King’s ‘Come On (Let the Good Times Roll)’.Īrguably, the most well-known song on the album, and of Hendrix’s back catalogue, is ‘Voodoo Child (Slight Return)’ (now more commonly known as the only Voodoo Chile), instantly recognisable by its extensive use of wah-wah guitar work. But while Electric Ladyland may only be known by some for its controversial original pressing sleeve, featuring numerous naked women, the album as a whole was completely different to Hendrix & co’s previous releases.įrom the opening track ‘…And The Gods Made Love’, the album gives the impression it will not be the same as its predecessors as it kicks in with a heavier sound. Electric Ladyland was the third and last album by the Jimi Hendrix Experience which had to follow up two other huge albums – 1967’s Are You Experienced? and Axis Bold as Love – both of which have become timeless classics.